Sirens ft. Wicca Phase Springs Eternal – Both artists seem to have no self control of where they’re going, and where they go at times is farther than they’ve ever been, but they’re not afraid and they do this to themselves.
"Butterflies die when I cover my eyesYou poured salt on the cuts on my mind
Tongue full of venom in these summertime nights
Jump from a edifice what if I fly?
Yea I been drifting off, in a fog, centers synagogue
Listening to inner gods telling me I’m different
Like a demagogue, I don’t want to interrupt
Cinema in the cuts, indicas inhale in my crystal lungs
Til it looks like an evergreen’s inside me
Seasonal leaves seem to redefine me
They deify things I leave behind
Sing in minor keys I don’t see the irony
Iron lung but my teeth are ivory"
This is about as poetic as I’ve ever heard the Sad one. I love how Wicca’s verses sound like a chorus or hook. This a very reflective track. Reminds me of Weatherman by Xavier Wulf & Bones.
Lazarus – As usual the wordplay is ridiculous and there are too many to quote, which reminds me of “The Darkness” produced by Kno off of the Phantom Limbs collab EP in 2015, which was my introduction Sadistik 5 years ago.
Life Is Just (An Interlude) – The early beginnings of the verse reminds me of “Free Spirits” off of Altars in 2017, the 2nd and last verse especially. Rome is burning. I don't expect to hear rapping on interludes but for an artist like Sadistik it doesn't feel out of place.
Never thought I’d see this collab but on the 5th track we get Zodiac ft. Mick Jenkins. The beat is right at home for the Sadist but it sounds like something I might heear Mick spit on, which he did very well here.
Rainbow Road is an almost lo-fi, atmospheric beat. Sadistik’s delivery can make any beat darker. He expresses that he’s still him through every experience, just more refined. He doesn’t wanna leave, but doesn’t wanna be here either, and everything he loves will be swallowed in the ether.
The final track is titled All the pretty horses. As weird as this sounds and I hope it makes sense to those who know Sadistik’s traditional sound, this is about as Hip-Hop of a beat that I’ve ever heard him rap over, or at least a more modern 2010’s type beat. The production he rapped on in the 2010’s is a more dark hip-hop with a 2010’s twist itself, but this is more of a “popular” sounding beat but just barely. No problems with this song at all.
Summary: This is a nice start to the new 20’s decade for the Sad one. The darkness is consuming per usual. 7/10. Stream Elysium below.
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